Project Archive
1999–2013
Intro
Every designer starts somewhere. These are selected works from 1999 to 2013 — the moments that mattered.
Student experiments. First clients. The first time I realized design could actually change something. These are not polished highlights. They are the fingerprints left by a career learning what it could become.
每个设计师都有起点。这些是1999至2013年的精选作品——那些重要的时刻。
学生实验，第一批客户，第一次发现设计真的能改变些什么。它们不是精修过的高光，而是一段职业生涯在摸索自己能成为什么时，留下的指纹。
Archive
Coca-Cola · 1999 — 2003
2000
Project Zero. Day three on the job. One designer. One campus channel. 100,000 units sold. A career spanning over 25 years did not begin quietly.
第一个项目，入职第三天接手：一个人、一条校园渠道，卖出十万件。逾 25 年职业生涯的开场，并不安静。
2001
Before 3D fluid sim was easy. One month, one college junior, one 3D ice cube that finally looked like ice. Diet Coke, Shenyang.
那还是 3D 流体模拟不普及的年代。一个月，一个大三学生，做出一块终于看起来像冰的 3D 冰块——健怡可乐，沈阳。
Blizzard · 2004 — 2006
2006
No studio. No brief. Not even a drawing tablet. Just a mouse, a screen, and a year before graduate school. I drew an entire World of Warcraft series by mouse and submitted it to Blizzard’s fan art program — five years running, tens of thousands of submissions deep. The response: an invitation to join as an illustrator, and a personal note from a senior executive. Limited tools. No limit on the work.
没有工作室，没有 brief，甚至没有数位板。只有一只鼠标、一块屏幕，和读研前的一整年。我用鼠标画完一组《魔兽世界》插画，投进暴雪玩家艺术计划——计划已运行五年，收过数万份投稿。回应是一份插画师职位邀请，和一封来自高管的信。工具极简，但表达没有上限。
"Blizzard Entertainment runs a Fan Art program though which thousands of amateur and professional artists have submitted works of art inspired by one of Blizzard's computer game titles. This program has been running for going on 5 years and while tens of the thousands of works of art have been submitted, only a very select number of exceptional quality pieces are chosen for display on our official Blizzard.com web site. Yun is one of the relative few artists who has been featured on the web site on multiple times for his works which are of impressive quality and it's been my pleasure to share them with our fan community. This is my personal view and does not represent an official endorsement by Blizzard Entertainment or Activision Blizzard."
Greenpeace · 2007 — 2013
2007 — 2013
"More freedom, more fun." In 2009, I ran a small agency. Greenpeace knocked—and it never felt like work. With an NGO, topics shifted wildly: palm oil, climate justice, ocean protection. Each brief demanded a new visual language. We experimented, played, and won a Best Design Award in Barcelona. But the real takeaway wasn't the award. Running the agency taught me to think beyond the canvas—to weigh creative instinct against business reality, to see the whole picture before touching a tool. That habit has followed me into every project since.
"更多自由，更多乐趣。" 2009 年，我经营一家小广告公司。Greenpeace 找上门来——议题五花八门：棕榈油、气候正义、海洋保护。每张 brief 都是一套全新的视觉语言。我们玩得野，也拿下了巴塞罗那最佳设计奖。但比奖杯更值钱的，是创业教会我的事——想清楚再动手。自己经营独立工作室，就不能只顾视觉不管落地，不能只讲创意不计成本。这个习惯一直保留至今。
Junk Drawer
A collection of odds and ends from the early days—student projects, late-night experiments, freelance gigs between semesters. Some rough, some weird, some surprisingly half-decent. They don't tell one story, but together they show someone who couldn't stop making stuff.
收一些很早以前的东西。学生作业、课余小活、深夜瞎捣鼓的玩意儿。有的粗糙，有的奇怪，有的回头看居然还行。它们串不成一个故事，但拼起来能看出——这个人，一直没停过手。
